Raiders of the Lost Ark
Action, Adventure
IMDB rating:
Steven Spielberg
Harrison Ford as Indiana Jones
Karen Allen as Marion
Paul Freeman as Belloq
Ronald Lacey as Toht
Denholm Elliott as Marcus Brody
Alfred Molina as Satipo
Wolf Kahler as Dietrich
Anthony Higgins as Gobler
Vic Tablian as Barranca
Don Fellows as Col. Musgrove
William Hootkins as Major Eaton
Bill Reimbold as Bureaucrat
Storyline: The year is 1936. A professor who studies archeology named Indiana Jones is venturing in the jungles in South America searching for a golden statue. Unfortunately, he sets off a deadly trap doing so, miraculously, he escapes. Then, Jones hears from a museum curator named Marcus Brody about a biblical artifact called The Ark of the Covenant, which can hold the key to humanly existence. Jones has to venture to vast places such as Nepal and Egypt to find this artifact. However, he will have to fight his enemy Renee Belloq and a band of Nazis in order to reach it.
Type 1080p
Resolution 1920x816 px
File Size 14642 Mb
Codec h264
Bitrate 17752 Kbps
Format mkv
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A look back at a forgotten genre
The adventure genre, often used, but truly destined for only a few films out there. Indiana Jones and the Raiders of the Lost Ark, is one of these films. The 1981 classic captures your cravings for adventure that you haven't had since you were a young boy or girl. It plays into imagination in a way that no movies succeed in today. Harrison Ford plays a timeless character, which is even more scruffy looking and bad-ass than his previous iconic role as Han solo. Beyond the dusty surface of Raiders, lays a deeply genius film. Embedded with great shots and wonderful techniques used in film making.

Still very enjoyable today, Raiders truly stood the test of time.
Conception of a Series.
Original, exciting, and lots of fun. Spielberg directed it and Kasdan and Lucas wrote it. Without it, we wouldn't have had "Romancing the Stone", "The Jewel of the Nile," "The Mummy: Tomb of the Dragon Empire", and many others too numerous to list. They were all more or less rip offs of this one. Of course the original was highly successful. I dragged my lugubrious ex to the theater and even SHE enjoyed it. For a while there was an attempt to merchandise Indiana Jones' leather jackets, fedoras, and bull whips but they didn't get far.

The fact that this was such a commercial blockbuster raised the inevitable question, which may be roughly phrased as, "What do I do NOW, Ma?" What you do is produce sequels: "Indiana Jones and the Temple of Doom," "Indiana Jones and the Amazon Women of the Moon," and so on. Each imitation, each sequel, was less innovative and more desperate and sloppy, but that's in the nature of decadence.

Harrison Ford, whose career this put the stamp of approval on, is an archaeologist who is recruited to find the Ark of the Covenant hidden somewhere in the Middle East. It's 1936 and the Nazis are after it and who knows what havoc they might wreak with its powers? Jones drags along Karen Allen, a former lover and assistant, to provide a pulchritudinous sidekick with whom he can exchange insults. Anything resembling sex is out of the question, though, just as it would never have been considered in one of the 1930s Saturday afternoon theater serials on which this kind of story is based.

Here's the schematic diagram of the plot: Introduction, suspense, action, suspense, action, suspense . . . n. Then the climax -- a really BIG action scene.

But the thing that made it successful and keeps it so enjoyable after thirty years is that the action wasn't of the usual sort. Oh, sure, Jones and his girl friend are threatened with immanent death lots of times -- involved in comic fist fights, shot at with poisoned arrows. That's de rigeur. But how often does a hero find himself dashing through an underground tunnel downhill pursued by a three-ton rolling marble? Another element that contributed to its appeal was its reconstruction of the period, 1936. The exotic settings of 1936 aren't just rebuilt. They're lovingly reproduced. The ordinary set dressings are there to suggest the exotic -- always look for beaded curtains -- but the men don't waltz around in immaculate double-breasted white suits and pith helmets. The settings are overblown, to be sure. I strongly doubt that in all of Nepal there was a saloon with the size and atmosphere of Karen Allen's. I'm not at all sure there were ANY saloons in Nepal in 1936. But they're meant to suggest authenticity, not embody it, and they succeed in an creative way.

Finally, the characters are kind of enjoyable in themselves, from the often frightened and only barely willing Indiana Jones himself, through the cartoon Nazis with the monocles and Swastika armbands. Oh, boy, watch the ark of the covenant MELT them down to nothing while they are frozen in place and screaming! The force unleashed.
No Ordinary Archaeologist
Hired to stop the Nazis getting hold of a priceless biblical artifact, a 1930s archaeologist has to combat swordsmen, sadistic Germans... and a pathological fear of snakes in this popular adventure film that brought the character of Indiana Jones to screens. The film begins strongly with a thrilling sequence in which Indy has to make his way through booby traps galore in a tomb, and while nothing later on quite matches this tension, there are several exciting moments to be had with a multi-tonal John Williams score perfectly complementing the action. This is hardly a deep or meaningful film, the antagonists range from one-note to one-dimensional and as a character, Indy lacks the charisma of an action hero like James Bond. The attempts to paint Indy as an ordinary university professor who just enjoys adventures never quite gels either since he is more agile and better at close combat than the very best of MI6. All that said and done, 'Raiders of the Lost Ark' is a film full of memorable small moments and there are several excellent artistic shots throughout, most notably some diggers against an orange sunset and Harrison Ford viewed as only a shadow against a wall when first meeting Karen Allen. A supernatural twist near the end also takes the film in some unexpected directions and the iconic final shot of the film makes for a fantastic final note to end on.
Great action movie....worth seeing again.
Only thing on this morn', so I watched it for maybe the third time. It is still one of the best action flicks ever.....Ford was perfect for the roll, keeping that how did I get in to this mess look on his face throughout. Love it. Funny, intense, and suspenseful. Spielberg stays away from mocking anybody's religion, which in a film like this is hard to do. He doesn't make the Nazis look to be bumbling idiots, which is usually the case in action comedy's. If you haven't seen this in awhile, or you have been in Siberia for the last three decades. Watch it..... I suppose it leaves you wanting in some ways, but I guess that's what sequels are for. Great movie.....
Most people give this movie a 10 out of 10 because they don't consider the movie but rather how happy they were to discover it as a child but now, in 2005, it has become obviously outdated, the script is quite bad and the acting is even worse. Harrisson Ford obviously should have worked his acting better, which he happily did since that movie. I am sorry I cannot just keep on lying about this movie: this is for your kids but in now way should it be put among masterpieces. IMDb is a web site about movies, not about cult and self-proclaimed nerds or geeks. You have to determine how good is a movie according to artistical criteria, neither to your gregarious instinct nor to your "attitude".
The birth of a cinema symbol
This film marks the start of the Indiana Jones franchise. This film shows the adventures of an archaeologist/explorer, seeking valuable artifacts throughout the world. Directed by Steven Spielberg, has a screenplay by Lawrence Kasdan on an original concept by George Lucas, and with the participation of Harrison Ford in the title role.

This film is based on reports on how the German Nazis sought ancient relics, considered magical, and pillaged works of art. The script proved to be functional and able to tell a story quite logically, vivid and interesting, but of course it has flaws, beginning with the complete absence of historical truth. Although the plot is situated temporally in the period immediately before the Second World War, this film had no major concerns with historical accuracy. The film also marked the collective imagination about how it may have been the Ark of the Covenant, a Judeo-Christian relic about which abound the legends and myths. Harrison Ford was fully up to the challenge and honored the audience with a strong and impressive interpretation. The sets and shooting locations make our imagination go beyond the film itself, the action scenes were good and the soundtrack, written by John Williams, quickly became one of the most famous in the movies.

This film gave rise to a true cinematic and cultural icon that now everyone knows, even those who are not regular lovers of cinema.
The best 80's film
All movies from Steven Spielberg are my favorites. Gremlins 1&2 are great. The Goonies are amazing. The Jurassic park films I can't get enough from. His war movies are so well made. Back to the future and go one with his movies. But the Indiana movies are for sure my number one movies from Steven Spielberg. The movie is full with good special effect. Good story lines. And the acting is perfect with this cast. Tonight I'm going to watch all 4 off them. A whole weekend long. And enjoy all of them 5 stars my number one is of course Raiders of the lost ark. The special effects in this movie are so well made by Steven Spielberg
Typical American Mainstream Cinema in the Early 80s
This adventure flick, which mixes the Western movie formula and special effects in their infant days, represents the American mainstream cinema in the early 80s in many ways. The protagonist Indiana Jones (Harrison Ford) is a scholar and an action hero; this combination is unique but the uniqueness has nothing to do with the character development and seems to be the result of the filmmakers' thoughtless decision. The portrayal of the heroine Marion Ravenwood (Karen Allen) is also inconsistent; sometimes she is tough and independent, while frail and dependent on Indiana Jones in the other times. Along with a dragging optimistic story, overly stretched action scenes may be beyond the audience's attention span. The Reaganomix overshadows the plot, where the Americans can do whatever they want in foreign places (South America, Nepal, and Cairo). The sets of Nepal and Cairo look nothing but sets, while John Williams' score, with a catchy melody line by brilliant brass in the Late Romanticism taste, annoyingly accentuates every single action.
All The Right Moves
A globe-trotting American archaeologist travels to Egypt in search of the ancient Ark of the Covenant, in this adventure epic from director Steven Spielberg. It's a big-budget popcorn flick aimed mostly at kids. There's lots of heavy-duty action as our hero, Indiana Jones (Harrison Ford), makes all the right moves to escape dreaded Nazis, a bed of snakes, knife-wielding Egyptians, fiery explosions, poison food, human skeletons, bullets, airplane propeller blades, and assorted other dangers. Since there's nothing subtle about the story or the characters, and since the action plot zips along at the speed of light, viewers need not engage in any thinking.

With Jones as a surrogate for American virtuousness, "foreigners" in this film seem inept and villainous for the most part, a politically correct view for the era in which the film was made. American stereotypes aside, non-Americans are portrayed in the film mostly as clutter, film props for our hero to knock over.

It's all a bit much, a bit over-the-top. Not only is the story not believable, the story's theme is rather condescending. I despised the background music, annoyingly loud and manipulative. Acting is largely irrelevant, not surprising, given the film's genre.

In its defense, there are some good visual images. For example, I liked the scene of Jones, wearing his trademark hat, in silhouette, on a hill, back-lit by an orange sun. The film's color cinematography probably is its best element.

Otherwise, "Raiders Of The Lost Ark" is just one more in a long series of "action" movies for kids to drool over, a two hour cinematic ... cartoon. The script concept is silly; the characters are poorly defined; the plot is ridiculous; the score is annoying; and the American hero theme is very irritating.
A Spielberg Classic
Raiders of The Lost Ark is a 1981 film directed by Steven Spielberg and stars Harrison Ford, Karen Allen, and John Rhys-Davies. It was distributed by Paramount, being labeled as an Action Adventure film. I have seen the film many times before and would gladly give you my opinions and observations to you.

The film is set during the 1930's where professor/archaeologist Indiana Jones (Ford) has almost went away with a valuable golden idol from South America. He then finds out at the Nazis are trying find the biblical "Ark of the Covenant" and unleash it's power to give their regime an extra edge. It is up to Indiana to find it first with the help of Marion Ravenwood (Allen) and stop the Nazis in their tracks.

I liked most of the main characters in Raiders, Harrison definitely steals the spotlight as Indiana in most of the scenes he's in. But the film doesn't make him overpowered or less relatable (which is a good thing). He has to fight off against seemingly impossible odds and strong brutes that give Indie a real challenge. Marion serves as a great companion to him and is more likable than the other two female leads in the next films. I'd even go far as to say the Egyptian Monkey was a good actor.

There's a lot to like about this film and the IJ trilogy in general. The cinematography is great, grand, and in-camera. John William's musical score is still memorable to this day. From my point of view, this film is a lot "ballsier" than most PG-13 films today with people melting and exploding fantastically. My only gripe with Raiders is that Indiana survives death by a pretty big amount, really hindering on my suspension of disbelief.

Raiders has a lot of Christian imagery, the "macguffin" of the film (Ark of The Covenant) is a reference to the Bible. And the attempt to summon it's spirits contains a Jewish ritual. But that's all I can think of in terms of themes and such. The film is just a really great action adventure film.

After learning about the film for years, this film was widely known for decades and was a critical and commercial success. Young kids could be traumatized, but that would prevent them watching a great film, heck I've watched Robocop since I was 8. Adults will really like this, teens will also. I actually don't know anybody who doesn't at least appreciates Indiana Jones. No matter what your opinion on the film is, I will respect it.

Overall, I give Raiders of The Lost Ark a… 9/10
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